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New York Film Academy in Kyoto, Japan
> Kyoto, Japan
Overview of New York Film Academy Kyoto
is the largest movie studio in Japan. It has full-scale replicas of houses and streets from the Edo period () and the Meiji period (). The site encompasses about 387,500 square feet. Numerous movies and over 200 episodes of period dramas for television are shot here throughout the year.
KYOTO was Japan's capital and the emperor’s residence from 794 until 1868. It flourished as the center of Japanese politics and culture for 1,100 years, until Tokyo became the capital in the mid-19th century.
Many ancient temples, perfect Zen Gardens and quiet shrines survive in Kyoto. Seventeen historic buildings, including Kiyomizu-dera Temple and Nijo Castle, have been designated World Cultural Heritage sites. There are still many great craftsmen living in Kyoto keeping the city's traditional culture and arts alive.
Enrollment
The New York Film Academy has an open enrollment. Serious students from all backgrounds are welcome to apply. No previous experience is required. However, all New York Film Academy Workshops are extremely intensive. Students who enroll should be prepared to live and breathe filmmaking during these workshops. Given the nature of filmmaking and the necessity of working in crews, students must be willing to devote themselves not only to their own projects, but to their classmates' projects as well. As space is limited, we recommend early application to guarantee a place in the workshop of your choice.
All courses are taught in English. However, interested students should take the opportunity to work on their conversational Japanese during the program. This will enrich their understanding and enjoyment of Japan.
Curriculum
In the Hi-Def film workshops, each student writes, produces, directs, and digitally edits his or her own films, and rotates among crew positions when his or her classmates shoot. Students receive extensive hands-on experience as a result.
Final Screening & Portfolio
At the conclusion of the workshop, a screening of the students' final films is held. This provides a unique opportunity for family, friends, and cast to see the work students have produced. Students retain a digital master tape of their work to include in their portfolios. Each student, upon successful completion of the program, receives a diploma.
NOTE: Cancellation and Refunds
To enroll and guarantee your place in this workshop, you may apply online or by mail and submit a $500 deposit that will be applied towards tuition. Full payment is due at least one month prior to the start of the workshop.
If you cancel your enrollment in the workshop, the following applies:
$500 is not refundable under any circumstances other than cancell Program fees (minus the $500 deposit) are refundable until June 1st prior to the summer of enrollment. No refunds are available after June 1st prior to the summer of enrollment.
In order to cancel once you have enrolled, please contact our admissions office. Failure to cancel prior to the April 1st deadline will result in a bill for the full program fee.
In the event that we must cancel a program, all enrolled students will be notified immediately and given a full refund of program fees (including the $500 deposit).
For more information please contact Noriko Yoshida at 212-674-4300 or
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By submitting this form, you give New York Film Academy your consent to contact you regarding our educational services using email, text or telephone. Please note that you are not required to provide this consent to receive educational service.Writing in one line. By Sen Sōtan.
Edo period, 17th C.
Various Styles in Modern Nihonga from the Sumitomo Collection
May 26 (Sat.) - July 8 (Sun.) 2018Closing days: Mondays
Hours : 10 am - 5 pm (Last admission at 4:30 pm)
Admission Fees : Adults 800 University/High School Students with ID 600 Junior High School Students 350 Children (12 and under) free of charge
*For groups over 20
20% discount of charge
Introducing modern Nihonga, Japanese-style paintings, from the Sumitomo family collection, this exhibition explores the distinctive brushwork of Nihonga artists active in the art worlds of Osaka, Kyoto, or Tokyo. Some created their own distinc others emulated the classics. Here we rediscover the magic of how artists wield their brushes.
Suomi. By Higashiyama Kaii.
Showa period, dated 1961.
Cherry Blossoms. By Kikuchi Yosai.
Edo period, 19th C.
Special Exhibition: Treasures of Buddhist Art
September 8 (Sat.) - October 14 (Sun.) 2018
Closing days: Mondays (except for Sept. 17 & 24, Oct. 8; closed Sept. 18 & 25, Oct. 9 instead)
Hours : 10 am - 5 pm (Last admission at 4:30 pm)
Admission Fees : Adults 800 University/High School Students with ID 600 Junior High School Students 350 Children (12 and under) free of charge
*For groups over 20
20% discount of charge
Introducing famous examples of Buddhist art from Japan, Korea, and China, this exhibition includes gilt-bronze Buddhas covered with gleaming gold, wooden Buddhist sculptures that are solemn but filled with natural warmth, and sublime Buddhist craft objects in which the essence of the Buddhist teachings is condensed. It introduces the vast and varied world of Buddhist art, including sculpture and handicrafts, through work from our own and other museums' collections.
*Important Cultural Property: Standing Maitreya, gilt bronze.
Northern Wei period, dated 498.
Vaisravana.
Kamakura period, 13th C.
Special Exhibition: The Fruit and Vegetable in East Asian Art
November 3 (Sat.) - December 9 (Sun.) 2018
Closing days: Mondays
Hours : 10 am - 5 pm (Last admission at 4:30 pm)
Admission Fees : Adults 800 University/High School Students with ID 600 Junior High School Students 350 Children (12 and under) free of charge
*For groups over 20
20% discount of charge
Green vegetables with root vegetables, beans with fruit: in East Asian art, depictions of fruits and vegetables are a never-ending stream. These familiar products of the earth express a cornucopia of ideals and hopes, resonant with feelings. Their natural forms, products of our world, are loved. In this exhibition we explore the transformations in how fruits and vegetables have been depicted, from China to Korea to Japan, from the Middle Ages to the modern period. Be sure not to miss the "Epic Battle of Vegetable Picture Scrolls," featuring two outstanding eighteenth-century Kyoto painters, Ito Jakuchu and Matsumura Goshun.
Vegetables of the Four Seasons. By Goshun.
Edo period, 18-19th C.
*Important Cultural Property: Vegetables & Insects (Detail).
By Ito Jakuchu. Edo Period, 19th C.
Sano Shiritsu Yoshizawa Memorial Museum.
1. Selected Bronze Masterworks
These exhibitions introduce a selection of the foremost masterpieces of ritual bronze ware from the Sumitomo Collection, representing the convergence of the finest technical achievements of the day.
Colossal drum, Gu, with Kui-shen, Tao-tie and bird design.
Late Shang Period, BCE12c-11c.
2. Types of Bronzes
These diverse bronzes that changed over time are presented here by type.
Wine vase, You, tiger holding a human being.
Late Shang Period, BCE11c.
3. Designs on Bronze Wares
The surfaces of ritual bronzes are covered in complex designs. Here we introduce the tao-tie demon mask, dragon, phoenix, and other designs that were the prototypes of symbolic motifs of China and would have a major impact on later periods.
Wine vessel, Si-gong, with Tao-tie and elephant design.
Late Shang Period, BCE11c.
4. The Development of Bronze Culture
Here we introduce objects that maintained the traditional forms and designs of ritual bronzes but developed further into a wide array of forms.
Animal shaped vase, inlaid with gold and silver.
Song Dynasty, CE9-11c.}